
ART AT THE BIG PICTURE
The Big Picture is proud to support local and visiting artists by providing a welcoming space to create, connect, and share their work with the community. Throughout the year, we host art exhibitions, opening receptions, artist talks, workshops, and creative classes. Interested in hosting something? Click HERE!
Upcoming Events

Still We Rise: An Immersive Art Instillation Celebrating of Joy, Light, and Community ResilienceFri, Oct 16Big Picture Theater & Cafe
Featured Visual Artist

Arthur Schaller
Arthur Schaller is an architect and working artist who has been teaching architectural design and related courses for over forty years; at Ball State University, the University of Texas at Austin, the Architectural Association of London and, for the past sixteen years, the School of Architecture and Art at Norwich University where he served as Dean from 2005 to 2010. A bricoleur at heart, he has been obsessively exploring collage environments assembled from printed surfaces and found materials. He is currently translating some of these implied propositions into three-dimensional constructs.
Much of the work is created in a series format. With each series, a guiding theme or concept is explored and exhausted (though it may mutate or return at a later date) thus making room for a new influence. At present, 14 series, consisting of over 250 works, have been completed. Several are presented here, including recently completed Ships and Shadows, and Billboard Buildings which are variations on frontal views of rambling—but ordered— long thin buildings perched on legs and located in rich color and textural space; a modernist Baba Yaga’s hut of sorts. They strive for a balance between abstract formal two-dimensional composition and speculative spatial realism.
The original works are created in collage, consisting of collected and assembled printed matter glued on board. The surfaces are cut or ripped from printed publications,sorted by color, texture, or image fragments and stored in zip-lock bags. No augmentation of surfaces through drawing, painting or digital manipulation occurs. Both originals and archival museum quality C-prints are exhibited. The printing process also aesthetically unifies the image surface, creating additional qualities of depth and flatness.
Arther Schaller
Collage series Variations in Blue
Thoughts on collage:
For decades I have been working in paper collage, specifically
with four-color process printed matter, ripped, torn or surgically
removed from popular publications (though the source of the
actual surfaces is unimportant.) This process is a means of
exploring architectural/pictorial space as well as placing objects
and forms in space. The representation itself resists alteration by
drawing, painting or digital manipulation, relying instead on
assembling rich color and textural surfaces with multiple light
sources found both in the printed material itself and in constructed
light, shade and shadow. Much of the collage work is in a series
format where a concept and compositional format is established
setting in motion an ordered framework for theme and variational
improvisation. Currently twenty-two such series, spanning from
1990 to the present, have been completed with approximately
four hundred collages.
This exhibition features ten pieces that explore the color blue and
its potential in creating atmospheric spatial settings. This series is
part of a larger group of seventy pieces in sets of ten, each
focusing on a specific color: black, white, red, green, pink, yellow
and blue. This is the first that Variations in Blue has been shown.

Sat, Sep 12Big Picture Theater & CafeJoin us to celebrate Variations in Blue by Arthur Schaller in the lobby @ The Bigger Picture. Reception begins @5:30pm This exhibition features ten pieces that explore the color blue and its potential in creating atmospheric spatial settings. This is the first that Variations in Blue has been shown.
